The next step in choral performance is when the independence of each part moves to a new dialogue level, which dictates the structure of the piece. Here, both the duration of the notes and the dynamics play a role, which creates the illusion of a percussive rhythm created by the accents at the beginning of vocal phrases. Gradually and with ease, the voices come to simultaneous singing, slowing down the duration of notes and interval agreement with a short cadence in the last note, which is also not devoid of the lightness of the whole piece.
In my opinion, a great game with dynamics allows to achieve an airy and lightness of the work, which gives life to the told story. This piece is much more moving towards emotion and physical activity, despite the fact that there are no drums and strings. The chorus also hypnotizes, only now it is a charm that does not evoke deep thoughts, an extravaganza of a holiday, or a play of ideas. This time, in my opinion, it is the ease of the soul of unity with nature. The loneliness mentioned in the title should be discussed here, but this loneliness does not bring torment and destructive reflection. It gives wings of freedom, catching the wind of a carefree and eternally wise nature, which is just as easily lifted into the air as it is released from a great height.